第6章
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  Butifyouareachildofthepeopleandthepoetofthepeople,yououghtnottoleavethechastebreastofDesiree,inordertorunaboutafterdancing—girlsandsingabouttheirvoluptuousarms。\"[38]

  [38]SeethelettersaddressedtoCharlesPoncyinthe_Correspondance。_

  ItistobehopedthatPoncyreturnedtothechasteDesiree。

  ButwhyshouldhenotreadtotheyoungwomantheworksofPierreLeroux?Weneedalittlegaietyinourlife。InGeorgeSand’spublished_Correspondance_,weonlyhaveafewofherletterstoCharlesPoncy。Theyareallinexcellenttaste。ThereisanimmensecorrespondencewhichM。Rocheblavewillpublishlateron。

  Thiswillbeatreatforus,anditwillnodoubtprovethattherewasadepthofimmensecandourinthecelebratedauthoress。

  Itdoesnotseemtomethatthewritingsoftheworking—menpoetshavegreatlyenrichedFrenchliterature。FortunatelyGeorgeSand’ssympathywiththepeoplefounditswayintoliteratureinanotherway,andthistimeinasingularlyinterestingway。

  Shedidnotgetthebookswrittenbythepeoplethemselves,butsheputthepeopleintobooks。ThiswastheplanannouncedbyGeorgeSandinherprefacetothe_CompagnondutourdeFrance_。

  Thereisanentirelyfreshliteraturetocreate,shewrites,\"withthehabitsandcustomsofthepeople,asthesearesolittleknownbytheotherclasses。\"The_CompagnondutourdeFrance_

  wasthefirstattemptatthisnewliteratureofthepeople。

  GeorgeSandhadobtainedherdocumentsforthisbookfromalittleworkwhichhadgreatlystruckher,entitled_Livreducompagnonnage_,writtenbyAgricolPerdiguier,surnamedAvignonnais—la—Vertu,whowasa_compagnon_carpenter。AgricolPerdiguierinformsusthatthe_Compagnons_weredividedintothreechiefcategories:

  the_Gavots_,the_Devorants_andthe_Drilles_,orthe_EnfantsdeSalomon_,the_EnlantsdeMaitreJacques_andthe_Enfantsdu__PereSoubise_。Hethendescribestheritesofthisorder。

  Whentwo_Compagnons_met,theirwatchwordwas\"_Tope_。\"

  Afterthistheyaskedeachother’strade,andthentheywenttodrinkaglasstogether。Ifa_Compagnon_whowasgenerallyrespectedleftthetown,theothersgavehimwhatwastermeda\"conduiteenregle。\"Ifitwasthoughtthathedidnotdeservethis,hehada\"conduitedeGrenoble。\"Each_Compagnon_hadasurname,andamongsuchsurnameswefind_ThePrudenceofDraguignan_,_TheFlowerofBagnolet_and_TheLibertyofChateauneuf_。

  Theunfortunatepartwasthatamongthedifferentsocieties,insteadoftheunionthatoughttohavereigned,therewererivalries,quarrels,fights,andsometimesallthisledtoseriousskirmishes;

  AgricolPerdiguierundertooktopreachtothedifferentsocietiespeaceandtolerance。HewentabouttravellingthroughFrancewiththisobjectinview。Hissecondexpeditionwas—atGeorgeSand’sexpense。

  Afresheditionofhisbookcontainedthelettersofapprovaladdressedtohimbythosewhoapprovedhiscampaign。Amongthesesignaturesarethefollowing:Nantais—Pret—a—bien—faire,Bourgignonla—Felicite,Decide—le—Briard。Allthisisacurioushistoryofthesyndicatesofthenineteenthcentury。AgricolPerdiguiermayhaveseenthe_ConfederationduTravail_dawninginthehorizon。

  Inthe_CompagnonduTourdeFrance_,PierreHuguenin,acarpenter,travelsaboutamongallthesedifferentsocietiesofthe_Compagnonnage_,andletsusseesomethingoftheircompetition,rivalries,battles,etc。

  HeisthensentfortotheVillepreuxChateau,todosomework。

  ThenobleYseultfallsinlovewiththisfine—talkingcarpenter,andatoncebegshimtomakeherhappybymarryingher。

  Inthe_Meunierd’Angibault_itisaworkinglocksmith,HenriLemor,whofallsinlovewithMarcelledeBIanchemont。Borntowealth,sheregretsthatsheisnotthedaughterorthemotherofworkingmen。

  Finally,however,shelosesherfortune,andrejoicesinthisevent。

  Thepersonagewhostandsoutinreliefinthisnovelisthemiller,GrandLouis。Heisalwaysgayandcontented,withasmileonhislips,singinglivelysongsandgivingadvicetoeveryone。

  Inthe_PechedeM。Antoine_,the_role_ofGrandLouisfallstoJeanthecarpenter。Inthisstoryallthepeoplearecommunists,withtheexceptionoftheownerofthefactory,who,inconsequence,istreatedwithcontempt。HissonEmilemarriesthedaughterofMonsieurAntoine。HernameisGilberte,andasillyoldman,theMarquisdeBoisguilbaut,leavesherallhismoney,onconditionthattheyoungcouplefoundacolonyofagriculturistsinwhichthereshallbeabsolutecommunism。Allthesestories,fullofeloquenceanddissertationsonthemisfortuneofbeingrichandthecorruptinginfluenceofwealth,wouldbeinsufferable,ifitwerenotforthefactthattheAngibaultmillwereintheBlackValley,andthecrumblingchateau,belongingtoMonsieurAntoine,onthebanksoftheCreuse。

  Theyareverypoornovels,anditwouldbeawasteoftimetoattempttodefendthem。Theyarenottobedespised,though,asregardstheirinfluenceontherestofGeorgeSand’swork,andalsoasregardsthehistoryoftheFrenchnovel。TheyrenderedgreatservicetoGeorgeSand,inasmuchastheyhelpedhertocomeoutofherselfandtoturnherattentiontothemiseriesofotherpeople,insteadofdwellingallthetimeonherown。Themiseriesshenowsawweremoregeneralones,andconsequentlymoreworthyofinterest。

  Inthehistoryofthenoveltheyareofcapitalimportance,astheyarethefirstonestobringintonotice,bymakingthemplayapart,peopleofwhomnovelistshadneverspoken。

  BeforeEugeneSueandbeforeVictorHugo,GeorgeSandgivesa_role_

  toamason,acarpenterandajoiner。Weseetheworking—classcomeintoliteratureinthesenovels,andthismarksanera。

  Astotheirsocialisticinfluence,itissupposedbymanypeoplethattheyhadnone。Thekindofsocialismthatconsistsofmakingtinkersmarrymarchionesses,andduchessesmarryzinc—workers,seemsverychildishandveryfeminine。Itisjustanattemptatbringingaboutthemarriageofclasses。Thissocialisticpreaching,bymeansofliterature,cannotbetreatedsolightly,though,asitisbynomeansharmless。Itis,onthecontrary,apowerfulmeansofdiffusingdoctrinestowhichitlendsthecolouringofimagination,andforwhichitappealstothefeelings。GeorgeSandpropagatedthehumanitariandreamamongawholecategoryofmenandwomenwhoreadherbooks。Butforher,theywouldprobablyhaveturnedadeafeartotheinducementsheldouttothemwithregardtothisUtopia。

  Lamartinewithhis_Girondins_reconciledthe_bourgeois_classestotheideaoftheRevolution。Inbothcasestheeffectwasthesame,anditisjustthiswhichliteraturedoesinaffairsofthiskind。

  Its_role_consistshereincreatingasortofsnobbism,andthissnobbism,createdbyliteratureinfavourofalltheelementsofsocialdestruction,continuestorageatpresent。

  Westillseemensmilingindulgentlyandstupidlyatdoctrinesofrevoltandanarchy,whichtheyoughttorepudiate,notbecauseoftheirowninterest,butbecauseitistheirdutytorepudiatethemwithallthestrengthoftheirowncommonsenseandrectitude。

  Insteadofanyarguments,wehavefactstooffer。Allthiswasin1846,andthetimewasnowdrawingnearwhenGeorgeSandwastoseethosenovelsofhersactuallytakingplaceinthestreet,sothatshecouldthrowdowntotheriotersthebulletinsthatshewroteintheirhonour。

  VIII

  1848

  GEORGESANDANDTHEPROVISIONALGOVERNMENT——

  HERPASTORALNOVELS

  IN1846,GeorgeSandpublished_LePechedeM。Antoine_。

  Itwasaverydullstoryofasin,forsinsarenotalwaysamusing。

  Thesameyear,though,shepublished_LaMareauDiable_。

  Peopleareapttosay,whencomparingthesocialisticnovelsandthepastoralnovelsbyGeorgeSand,thatthelatteraresuperb,becausetheyaretheresultofaconceptionofartthatwasquitedisinterested,astheauthorhadgivenupherpreachingmania,anddevotedherselftodepictingpeoplethatsheknewandthingsthatsheliked,withoutanyothercarethanthatofpaintingthemwell。

  Personally,Ithinkthatthiswasnotso。GeorgeSand’spastoralstyleisnotessentiallydifferentfromhersocialisticstyle。

  Thedifferenceisonlyinthesuccessoftheexecution,buttheideasandtheintentionsarethesame。GeorgeSandiscontinuinghermissioninthem,sheisgoingonwithherhumanitariandream,thatdreamwhichshedreamedwhenawake。

  Wehaveaproofofthisintheprefaceoftheauthortothereaderwithwhichthe_MareauDiable_begins。Thisprefacewouldbedisconcertingtoanyonewhodoesnotremembertheintellectualatmosphereinwhichitwaswritten。

  PeoplehavewonderedbywhatfitofimaginationGeorgeSand,whentellingsuchawholesomestoryofcountrylife,shouldevoketheghastlyvisionofHolbein’sDanceofDeath。Itisthecloseofday,thehorsesarethinandexhausted,thereisanoldpeasant,and,skippingaboutinthefurrowsneartheteam,isDeath,theonlylively,careless,nimblebeinginthissceneof\"sweatandweariness。\"Shegivesustheexplanationofitherself。

  Shewantedtoshowuptheidealoftheneworderofthings,asopposedtotheoldideal,astranslatedbytheghastlydance。

  \"Wehavenothingmoretodowithdeath,\"shewrites,\"butwithlife。

  Wenolongerbelieveinthe_neant_ofthetomb,norinsalvationboughtbyenforcedrenunciation。Wewantlifetobegood,becausewewantittobefertile……Everyonemustbehappy,sothatthehappinessofafewmaynotbecriminalandcursedbyGod。\"ThisnotewerecognizeasthecommonfeatureofallthesocialisticUtopias。ItconsistsintakingtheoppositebasistothatonwhichtheChristianideaisfounded。WhilstChristianityputsoff,untilafterdeath,thepossessionofhappiness,transfiguringdeathbyitseternalhopes,SocialismplacesitsParadiseonearth。

  Itthusrunstheriskofleavingallthosewithoutanyrecoursewhodonotfindthisearthaparadise,andithasnoanswertogivetothelamentationsofincurablehumanmisery。

  GeorgeSandgoesontoexposetoustheobjectofart,assheunderstandsit。Shebelievesthatitisforpleadingthecauseofthepeople。

  Shedoesnotconsiderthather_confreres_innovel—writingandinSocialismsetabouttheirworkinthebestway。Theypaintpovertythatisuglyandvile,andsometimesevenviciousandcriminal。

  Howisittobeexpectedthatthebad,richmanwilltakepityonthesorrowsofthepoorman,ifthispoormanisalwayspresentedtohimasanescapedconvictoranightloafer?Itisveryevidentthatthepeople,aspresentedtousinthe_MysteresdeParis_,arenotparticularlycongenialtous,andweshouldhavenowishtomaketheacquaintanceofthe\"Chourineur。\"Inordertobringaboutconversions,GeorgeSandhasmorefaithingentle,agreeablepeople,and,inconclusion,shetellsus:\"Webelievethatthemissionofartisamissionofsentimentandoflove,andthatthenovelofto—dayoughttotaketheplaceoftheparableandtheapologueofmoreprimitivetimes。\"Theobjectoftheartist,shetellsus,\"istomakepeopleappreciatewhathepresentstothem。\"

  Withthatendinview,hehasarighttoembellishhissubjectsalittle。\"Art,\"wearetold,\"isnotastudyofpositivereality;

  itistheseekingforidealtruth。\"Suchisthepointofviewoftheauthorof_LaMareauDiable_,whichweareinvitedtoconsiderasaparableandanapologue。

  Theparableisclearenough,andtheapologueiseloquent。

  Thenovelcommenceswiththatfinepictureoftheploughingofthefields,sorichindescriptionandsobroadlytreatedthatthereseemstobenothinginFrenchliteraturetocomparewithitexcepttheepisodeoftheLabourersin_Jocelyn_。When_Jocelyn_

  waspublished,GeorgeSandwassevereinhercriticismofit,treatingitaspoorwork,falseinsentimentandcarelessinstyle。

  \"Inthemidstofallthis,though,\"sheadds,\"therearecertainpagesandchapterssuchasdonotexistinanylanguaoe,pagesthatIreadseventimesover,cryingallthetimelikeadonkey。\"

  Ifancythatshemusthavecriedovertheepisodeofthe_Labourers_。

  Whethersheremembereditornotwhenwritingherownbooklittlematters。MyonlyreasonformentioningitistopointouttheaffinityofgeniusbetweenLamartineandGeorgeSand,bothofthemsoadmirableinimaginingidyllsandinthrowingthecoloursoftheiridyllicimaginationontoreality。

  Ihaveventured,toanalyzethe_ComtessedeRudolstadt_andeven_Consuelo_,butIshallnotbeguiltyofthebadtasteoftellingthestoryof_LaMareauDiable_,asallthepeopleofthatneighbourhoodarewellknowntous,andhavebeenourfriendsforalongtime。WeareallacquaintedwithGermain,thecleverfarm—labourer,withMarie,theshepherdess,andwithlittlePierre。

  Werememberhowtheyclimbedthe_Grise_,losttheirwayinthemist,andwereobligedtospendthenightunderthegreatoak—trees。Whenwewereonlyaboutfifteenyearsofage,withwhatdelightwereadthisbook,andhowwelovedthatsweetMarieforhersimplegraceandheraffection,whichallseemedsomaternal。HowmuchbetterwelikedherthantheWidowGuerin,whowassosnobbishwithherthreelovers。Andhowgladweweretobepresentatthatwedding,celebratedaccordingtothecustominBerryfromtimeimmemorial。

  Itiseasytoseethemeaningofallthesethings。Theyshowushownaturalkindlinessistotheheartofman。IfwetrytofindoutwhyGermainandMarieappearsodelightfultous,weshalldiscoverthatitisbecausetheyaresimple—hearted,andfollowthedictatesofNature。Naturemustnotbedeformed,therefore,byconstraintnortransformedbyconvention,asitleadsstraighttovirtue。

  Wehaveheardthetuneofthissongbefore,andwehaveseentheblossomingofsomeveryfinepastoralpoemsandaveritableinvasionofsentimentalliterature。Inthosedaystearswereshedplentifullyoverpoetry,novelsandplays。WehavehadBernardindeSaint—Pierre,Sedaine,FlorianandBerquin。TheRevolution,brutalandsanguinaryasitwas,didnotinterruptthecourseoftheseromanticeffusions。NeverweresomanytenderepithetsusedasduringtheyearsoftheReignofTerror,andinofficialprocessionsRobespierrewasadornedwithflowerslikeavillagebride。

  Thistasteforpastoralthings,atthetimeoftheRevolution,wasnotamerecoincidence。ThesameprinciplesleduptotheidyllinliteratureandtotheRevolutioninhistory。Manwassupposedtobenaturallygood,andtheideawastotakeawayfromhimalltherestraintswhichhadbeeninventedforcurbinghisnature。

  Politicalandreligiousauthority,moraldisciplineandtheprestigeoftraditionhadallformedakindofnetworkofimpediments,bywhichmanhadbeenimprisonedbylegislatorswhowereinclinedtopessimism。Bydoingawaywithallthesefetters,theGoldenAgewastoberestoredanduniversalhappinesswastobeestablished。

  Suchwasthefaithofthebelieversinthemillenniumof1789,andof1848。Thesamedreambeganoverandoveragain,fromDiderottoLamartineandfromJean—JacquestoGeorgeSand。Thesamestateofmindwhichweseereflectedin_LaMareauDiable_wastomakeofGeorgeSandtherevolutionarywriterof1848。Wecannowunderstandthe_role_whichthenovelistplayedinthesecondRepublic。

  Itisoneofthemostsurprisingpagesinthehistoryofthisextraordinarycharacter。

  ThejoywithwhichGeorgeSandwelcomedtheRepubliccanreadilybeimagined。ShehadbeenaRepublicaneversincethedaysofMichelofBourges,andademocratsincethetimewhen,asalittlegirl,shetookthesideofherplebeianmotheragainst\"theoldCountesses。\"

  Foralongtimeshehadbeenwishingforandexpectingachangeofgovernment。Shewouldnothavebeensatisfiedwithlessthanthis。

  ShewasnotmuchmovedbytheThiers—Guizotduel,anditwouldhavegivenhernopleasuretobekilledforthesakeofOdilonBarrot。

  ShewasadiscipleofRomanticism,andshewantedastorm。

  Whenthestormbroke,carryingallbeforeit,athrone,awholesocietywithitsinstitutions,shehurriedawayfromherpeacefulNohant。

  Shewantedtobreathetheatmosphereofarevolution,andshewassoonintoxicatedbyit。

  \"LonglivetheRepublic,\"shewroteinherletters。\"Whatadreamandwhatenthusiasm,andthen,too,whatbehaviour,whatorderinParis。

  Ihavejustarrived,andIsawthelastofthebarricades。Thepeoplearegreat,sublime,simpleandgenerous,themostadmirablepeopleintheuniverse。Ispentnightswithoutanysleepanddayswithoutsittingdown。Everyonewaswildandintoxicatedwithdelight,foraftergoingtosleepinthemiretheyhaveawakenedinheaven。\"[39]

  [39]_Correspondance:_ToCh。Poncy,March9,1848。

  Shegoesondreamingthusofthestars。Everythingshehears,everythingsheseesenchantsher。Themostabsurdmeasuresdelighther。

  Sheeitherthinkstheyaremostnoble,liberalstepstohavetaken,orelsetheyareverygoodjokes。

  \"Rothschild,\"shewrites,\"expressesveryfinesentimentsaboutlibertyatpresent。TheProvisionalGovernmentiskeepinghiminsight,asitdoesnotwishhimtomakeoffwithhismoney,andsowillputsomeofthetroopsonhistrack。Themostamusingthingsarehappening。\"Alittlelateronshewrites:

  \"TheGovernmentandthepeopleexpecttohavebaddeputies,buttheyhaveagreedtoputthemthroughthewindow。Youmustcome,andwewillgoandseeallthisandhavefun。\"[40]

  [40]_Correspondance:_ToMauriceSand,March24,1848。

  Shewasthoroughlyentertained,andthatisverysignificant。

  Wemustnotforgetthefamousphrasethatsoundedthedeath—knelloftheJulymonarchy,\"LaFrances’ennuie。\"Francehadgoneinforarevolutionbywayofbeingentertained。

  GeorgeSandwasentertained,then,bywhatwastakingplace。

  Shewentdownintothestreetwheretherewasplentytosee。

  Inthemorningstherewerethevariouscolouredposterstoberead。

  Thesehadbeenputupinthenight,andtheywereinproseandinverse。

  Processionswerealsoorganized,andmen,womenandchildren,withbannersunfurled,marchedalongtomusictotheHoteldeVille,carryingbasketsdecoratedwithribbonsandflowers。EverycorporationandeveryprofessionconsidereditselfboundinhonourtocongratulatetheGovernmentandtoencourageitinitswell—doing。Onedaytheprocessionwouldbeofthewomenwhomadewaistcoatsorbreeches,anotherdayofthewater—carriers,orofthosewhohadbeendecoratedinJulyorwoundedinFebruary;thentherewerethepavement—layers,thewasherwomen,thedelegatesfromtheParisnight—soilmen。

  Thereweredelegates,too,fromtheGermans,Italians,Poles,andmostoftheinhabitantsofMontmartreandofBatignolles。

  WemustnotforgetthetreesofLiberty,asGeorgeSandspeaksofmeetingwiththreeoftheseinoneday。\"Immensepines,\"shewrites,\"carriedontheshouldersoffiftyworking—men。Adrumwentfirst,thentheflag,followedbybandsofthesefinetillersoftheground,strong—looking,seriousmenwithwreathsofleavesontheirhead,andaspade,pick—axeorhatchetovertheirshoulder。Itwasmagnificent;

  finerthanallthe_Roberts_intheworld。\"[41]Suchwasthetoneofherletters。

  [41]_Correspondance。_

  ShehadtheOperafromherwindowsandanOlympiccircusateverycross—road。Pariswascertainly_enfete_。Intheeveningsitwasjustaslively。ThereweretheClubs,andtherewerenolessthanthreehundredofthese。Societywomencouldgotothemandhearoratorsinblousesproposingincendiarymovements,whichmadethemshudderdeliciously。Thentherewerethetheatres。

  Rachel,drapedinantiquestyle,lookinglikeaNemesis,declaimedthe_Marseillaise_。Andallnightlongtheexcitementcontinued。

  Theyoungmenorganizedtorchlightprocessions,withfireworks,andinsistedonpeaceably—inclinedcitizensilluminating。ItwaslikeaNationialFeteday,ortheCarnival,continuingalltheweek。

  Allthiswasthecommon,everydayaspectofParis,buttherewerethespecialdaysaswelltobreakthemonotonyofallthis。

  Therewerethemanifestations,whichhadthegreatadvantageofprovokingcounter—manifestations。Onthe16thofMarch,therewasthemanifestationoftheNationalGuard,whoweretranquilmembersofsociety,butonthe17ththerewasacounter—manifestationoftheClubsandworkingmen。Onsuchdaysthemeeting—placewouldbeattheBastille,andfrommorningtonightgroups,consistingofseveralhundredthousandmen,wouldmarchaboutParis,sometimesinfavouroftheAssemblyagainsttheProvisionalGovernment,andsometimesinfavouroftheProvisionalGovernmentagainsttheAssembly。

  Onthe17thofApril,GeorgeSandwasinthemidstofthecrowd,infrontoftheHoteldeVille,inordertoseebetter。Onthe15thofMay,asthepopulacewasdirectingitseffortsagainstthePalaisBourbon,shewasintheRuedeBourgogne,inhereagernessnottomissanything。Asshewaspassinginfrontofa_cafe_,shesawawomanharanguingthecrowdinaveryanimatedwayfromoneofthewindows。ShewastoldthatthiswomanwasGeorgeSand。

  WomenwereextremelyactiveinthisRevolution。TheyorganizedaLegionforthemselves,andwerestyled_\"LesVesuviennes_。\"

  Theyhadtheirclubs,theirbanquetsandtheirnewspapers。

  GeorgeSandwasfarfromapprovingallthisfeminineagitation,butshedidnotcondemnitaltogether。Sheconsideredthat\"womenandchildren,disinterestedastheyareinallpoliticalquestions,areinmoredirectintercoursewiththespiritthatbreathesfromaboveovertheagitationsofthisworld。\"[42]Itwasforthem,therefore,tobetheinspirersofpolitics。GeorgeSandwasoneoftheseinspirers。InordertojudgewhatcounselsthisEgeriagave,wehaveonlytoreadsomeofherletters。Onthe4thofMarch,shewroteasfollowstoherfriendGirerd:\"Actvigorously,mydearbrother。Inourpresentsituation,wemusthaveevenmorethandevotionandloyalty;wemusthavefanaticismifnecessary。\"

  Inconclusion,shesaysthatheisnottohesitate\"insweepingawayallthatisofa_bourgeois_nature。\"InAprilshewrotetoLamartine,reproachinghimwithhismoderationandendeavouringtoexcitehisrevolutionaryspirit。Lateron,althoughshewasnotofaverywarlikedisposition,sheregrettedthattheyhadnot,liketheirancestorsof1793,cementedtheirRevolutionathomebyawarwiththenations。

  [42]_Correspondance:_TotheCitizenThore,May28,1848。

  \"If,insteadoffollowingLamartine’sstupid,insipidpolicy,\"

  shethenwrote,\"wehadchallengedallabsolutemonarchies,weshouldhavehadwaroutside,butunionathome,andstrength,inconsequenceofthis,ithomeandabroad。\"[43]Likethegreatancestors,shedeclaredthattherevolutionaryideaisneitherthatofasectnorofaparty。\"Itisareligion,\"shesays,\"thatwewanttoproclaim。\"Allthiszeal,thispassionandthispersistencyinawomanisnotsurprising,butonedoesnotfeelmuchconfidenceinacertainkindofinspirationforpoliticsafterallthis。

  [43]_Correspondance:_ToMazzini,October10,1849。

  MyreasonfordwellingonthesubjectisthatGeorgeSanddidnotcontentherselfwithmerelylookingonattheeventsthatweretakingplace,orevenwithtalkingaboutthemwithherfriends。Shetookpartintheevents,bymeansofherpen。Shescatteredabroadallkindsofrevolutionarywritings。Onthe7thofMarch,shepublishedherfirst_LettertothePeople_,atthepriceofapenny,theprofitsofwhichweretobedistributedamongworking—menwithoutemployment。

  Aftercongratulatingthesegreatandgoodpeopleontheirnoblevictory,shetellsthemtheyareallgoingtoseektogetherforthetruthofthings。Thatwasexactlythestateofthecase。Theydidnotyetknowwhattheywanted,but,inthemeantime,whiletheywereconsidering,theyhadatanyratebegunwitharevolution。

  Therewasasecond_LettertothePeople_,andthentheseceased。

  Publicationsinthosedayswereveryshort—lived。Theycametolifeagain,though,sometimesfromtheirashes。InAprilanewspaperwasstarted,entitled_TheCauseofthePeople_。ThiswaseditedalmostentirelybyGeorgeSand。Shewrotetheleadingarticle:

  _SovereigntyisEquality_。Shereproducedherfirst_LettertothePeople_,gaveanarticleontheaspectofthestreetsofParis,andanotherontheatricalevents。Shelefttohercollaborator,VictorBorie,thetaskofexplainingthattheincreaseoftaxeswasaneminentlyrepublicanmeasure,andanagreeablesurpriseforthepersonwhohadtopaythem。Thethirdnumberofthispapercontainedaone—actplaybyGeorgeSand,entitled_LeRoiattend_。

  ThishadjustbeengivenattheComedie—Francaise,orattheTheatredelaRepublique,asitwasthencalled。Ithadbeenagratisperformance,givenonthe9thofApril,1848,asafirstnationalrepresentation。

  TheactorsatthattimewereSamson,Geffroy,Regnier,Anais,AugustineBrohanandRachel。Therewerenotmanyofthem,buttheyhadsomefinethingstointerpret。

  InGeorgeSand’spiece,Molierewasatworkwithhisservant,Laforet,whocouldnotread,butwithoutwhom,itappears,hecouldnothavewrittenaline。Hehasnotfinishedhisplay,theactorshavenotlearnttheirparts,andthekingisimpatientatbeingkeptwaiting。Moliereisperplexed,and,notknowingwhattodo,hedecidestogotosleep。TheMuseappearstohim,styleshim\"thelightofthepeople,\"andbringstohimalltheghostsofthegreatpoetsbeforehim。AEschylus,Sophocles,EuripidesandShakespearealldeclaretohimthat,intheirtime,theyhadallworkedtowardspreparingtheRevolutionof1848。

  Molierethenwakesup,andgoesontothestagetopayhisrespectstotheking。Thekinghasbeenchanged,though。\"Iseeaking,\"

  saysMoliere,\"buthisnameisnotLouisXIV。Itisthepeople,thesovereignpeople。ThatisawordIdidnotknow,awordasgreataseternity。\"

  Werecognizethedemocratinallthis。_LeRoi__attend_maybeconsideredasanauthenticcuriosityofrevolutionaryart。

  ThenewspaperannouncedtoitsreadersthatsubscriptionscouldbepaidintheRueRichelieu。Subscriberswereprobablynotforthcoming,asthepaperdiedanaturaldeathafterthethirdnumber。

  GeorgeSanddidmuchmorethanthis,though。[44]Wemustnotforgetthatshewasanofficialpublicistin1848。ShehadvolunteeredherservicestoLedru—Rollin,andhehadacceptedthem。\"Iamasbusyasastatesman,\"shewroteatthistime。\"IhavealreadywrittentwoGovernmentcirculars。\"[45]

  [44]WithregardtoGeorgeSand’s_role_,see_LaRevolutionde_1848,byDanielStern(Madamed’Agoult)。

  [45]_Correspondance:_ToMauriceSand,March24,1848。

  WithGeorgeSand’scollaboration,the_BulletindelaRepublique_

  becameunexpectedlyinteresting。Thispaperwaspublishedeveryotherday,byorderofLedru—Rollin,andwasintendedtoestablishaconstantinterchangeofideasandsentimentsbetweentheGovernmentandthepeople。\"Itwasspeciallyaddressedtothepeopleofruraldistricts,andwasintheformofaposterthatthemayoroftheplacecouldhaveputuponthewalls,andalsodistributetothepostmentobegivenaway。The_Bulletins_wereanonymous,butseveralofthemwerecertainlywrittenbyGeorgeSand。

  Theseventhisoneofthese,andalsothetwelfth。Thelatterwaswrittenwithaviewtodrawingtheattentionofthepublictothewretchedlotofthewomenandgirlsofthelowerclasses,whowerereducedtoprostitutionbythelownessoftheirwages。

  Theirvirginityisanobjectoftraffic,\"wearetold,\"quotedontheexchangeofinfamy。\"Thesixteenth_Bulletin_wassimplyanappealforrevolt。GeorgeSandwaslookingaheadtowhatoughttotakeplace,incasetheelectionsdidnotleadtothetriumphofsocialtruth。

  \"Thepeople,\"shehoped,\"wouldknowtheirduty。Therewould,inthatcase,beonlyonewayofsalvationforthepeoplewhohaderectedbarricades,andthatwouldbetomanifesttheirwillasecondtime,andsoadjournthedecisionsofarepresentationthatwasnotnational。\"ThiswasnothingmorenorlessthanthelanguageofanotherFructidor。Andweknowwhatwastheresultofwordsinthosedays。The_Bulletin_wasdated。the15th,andonthe17ththepeoplewereonthewaytotheHoteldeVille。Thesepopularmovementscannotalwaysbetrusted,though,astheyfrequentlytakeanunexpectedturn,andevenchangetheirdirectionwhenontheway。

  Ithappenedthistimethatthemanifestationturnedagainstthosewhowereitsinstigators。ShoutswereheardthatdayinParisof_\"DeathtotheCommunists\"_and_\"DownwithCabet_。\"GeorgeSandcouldnotunderstandthingsatall。Thiswasnotintheprogramme,andshebegantohaveherdoubtsaboutthefutureoftheRepublic——

  therealone,thatofherfriends。

  Itwasmuchworseonthe15thofMay,thedaywhichwassofataltoBarbes,forheplayedthepartofheroandofdupeonthateventfulday。BarbeswasGeorgeSand’sidolatthattime。

  Itwasimpossibleforhertobewithoutone,although,withhervividimagination,shechangedheridolsfrequently。Withheridealism,shewasalwaysincarnatinginsomeindividualtheperfectionsthatshewasconstantlyimagining。Itseemsasthoughsheexteriorizedtheneedsofherownmindandputthemintoanindividualwhoseemedsuitabletoherfortheparticularrequirementsofthatmoment。

  Atthetimeofthemonarchy,MichelofBourgesandPierreLerouxhadbeenabletoplaythepart,theformerofaradicaltheoricianandthelatterofthemysticalforerunnerofthenewtimes。

  AtpresentBarbeshadcomeontothescene。

  Hewasabornconspirator,theverymanforsecretsocieties。

  Hehadmadehiscareerbymeansofprisons,orratherhehadmadeprisonhiscareer,In1835,hehadcommencedbyhelpingthirtyoftheprisonersofApriltoescapefromSainte—Pelagie。

  Atthattimehewasaffiliatedtothe_SocietedesFamilles_。

  ThepolicediscoveredawholearsenalofpowderandammunitionatthehouseintheRuedeLourcine,andBarbeswascondemnedtoprisonforayearandsenttoCarcassonne,wherehehadrelatives。

  Whenheleftprison,the_SocietedesSaisons_hadtakentheplaceofthe_SocietedesFamilles_。WithBlanqui’sapproval,BarbesorganizedtheinsurrectionofMay12and13,1830。

  Thistimebloodwasshed。InfrontofthePalaisdeJustice,themen,commandedbyBarbes,hadinvitedLieutenantDroulneautoletthementer。Theofficerrepliedthathewoulddiefirst。

  Hewasimmediatelyshot,butBarbeswassentencedtodeathforthis。

  ThankstotheinterventionofLamartineandVictorHugo,hislifewasspared,buthewasimprisonedatMontSaint—Micheluntil1843,andafterwardsatNimes。Onthe28thofFebruary,1848,theGovernorofNimesprisoninformedhimthathewasfree。Hewasmoresurprisedandembarrassedthanpleasedbythisnews。

  \"Iwasquitebewildered,\"heownedlateron,\"bythisideaofleavingprison。Ilookedatmyprisonbed,towhichIhadgrownsoaccustomed。

  Ilookedatmyblanketandatmypillowandatallmybelongings,hungsocarefullyatthefootofmybed。\"Heaskedpermissiontostaythereanotherday。Hehadbecomeaccustomedtoeverything,andwhenoncehewasoutagain,andfree,hewaslikeamanwhofeelsillatease。

  Hetookpartintheaffairofthe15thofMay,andthisiswhatgivesatragic,andatthesametimecomic,charactertotheepisode。

  UnderpretextofmanifestinginfavourofPoland,theNationalAssemblywastobeinvaded。Barbesdidnotapproveofthismanifestation,andhaddecidedtokeepoutofit。Somepeoplecannotbepresentatarevolutionaryscenewithouttakingpartinit,andwithoutsoonwantingtoplaythechiefpartinit。Theexcitementgoestotheirhead。Barbesseemstohavebeenobeyingininstinctoverwhichhehadnocontrol,for,togetherwithaworkmannamedAlbert,heheadedtheprocessionwhichwastomarchfromtheChamberofDeputiestotheHoteldeVilleandestablishafreshProvisionalGovernment。

  Hehadalreadycommencedcomposingtheproclamationstobethrownthroughthewindowstothepeople,afterthemannerofthetimes,whensuddenlyLamartineappearedonthescenewithLedru—Rollinandacaptainintheartillery。Thefollowingdialoguethentookplace:

  \"Whoareyou?\"

  \"AmemberoftheProvisionalGovernment。\"

  \"OftheGovernmentofyesterdayorofto—day\"Oftheoneofto—day。\"

  \"InthatcaseIarrestyou。\"

  BarbeswastakentoVincennes。Hehadbeenfreeratherlessthanthreemonths,whenhereturnedtoprisonasthoughitwerehisnaturaldwelling—place。

  GeorgeSandadmiredhimjustasmuchafterthisasbefore。Forher,thegreatmanoftheRevolutionwasneitherLedru—Rollin,Lamartine,norevenLouis—Blanc;itwasBarbes。ShecomparedhimtoJoanofArcandtoRobespierre。Toher,hewasmuchmorethanamerestatesman,thismanofconspiraciesanddungeons,evermysteriousandunfortunate,alwaysreadyforadramaoraromance。Inherheartshekeptanaltarforthismartyr,andneverthoughtofwonderingwhether,afterall,thisidolandherowerenotamerepuppet。

  TheskirmishofMay15undeceivedGeorgeSandveryconsiderably。

  TheJuneinsurrectionandthecivilwar,withbloodflowingintheParisstreets,thosestreetswhichwereformerlysolivelyandamusing,causedherterriblegrief。Fromhenceforthherletterswerefullofhersadnessanddiscouragement。Themostgloomydepressiontooktheplaceofherformerenthusiasm。Ithadonlyrequiredafewweeksforthischangetotakeplace。InFebruaryshehadbeensoproudofFrance,andnowshefeltthatshewastobepitiedforbeingaFrenchwoman。Itwasallsosad,andshewassoashamed。

  Therewasnoonetocountuponnow。Lamartinewasachatterer;

  Ledru—Rollinwaslikeawoman;thepeoplewereignorantandungrateful,sothatthemissionofliterarypeoplewasover。Shethereforetookrefugeinfiction,andburiedherselfinherdreamsofart。

  Wearenotsorrytofollowherthere。

  _FrancoisleChampi_appearedasaserialinthe_JournaldesDebats_。

  The_denouement_wasdelayedbyanother_denouement_,whichthepublicfoundstillmoreinteresting。ThiswasnothinglessthanthecatastropheoftheJulyMonarchy,inFebruary,1848。

  AftertheterribleJunetroubles,GeorgeSandhadbeenheartbroken,andhadturnedoncemoretoliteratureforconsolation。

  Shewrote_LaPetiteFadette_,sothatthepastoralromancesandtheRevolutionarecloselyconnectedwitheachother。

  Besidethenovelsofthiskindwhichwehavealreadymentioned,wemustadd_Jeanne_,whichdatesfrom1844,andthe_MaitresSonneurs_,writtenin1853。This,then,completestheincomparableseries,whichwastheauthor’s_chef—d’oeuvre_,andoneofthefinestgemsofFrenchliterature。ThiswasGeorgeSand’srealstyle,andthenoteinliteraturewhichwaspeculiarlyherown。Shewaswellfittedforsuchwriting,bothbyhernaturaldispositionandbycircumstances。

  Shehadlivednearlyallherlifeinthecountry,anditwasthereonlythatshelivedtothefull。Shemadegreatefforts,butPariscertainlymadeherhomesickforherbelovedBerry。

  Shecouldnothelpsighingwhenshethoughtoftheploughedfields,ofthewalnut—trees,andoftheoxenansweringtothevoiceofthelabourers。

  \"Itisnouse,\"shewroteaboutthesametime,\"ifyouarebornacountryperson,youcannotgetusedtothenoiseofcities。

  Italwaysseemstomethatourmudisbeautifulmud,whilstthatheremakesmefeelsick。Iverymuchprefermykeeper’swittothatofcertainofthevisitorshere。ItseemstomethatIamlivelierwhenIhaveeatensomeofNannette’swheat—cakethanI

  amaftermycoffeeinParis。Inshort,itappearstomethatweareallperfectandcharming,thatnoonecouldbemoreagreeablethanweare,andthatParisiansareallclowns。\"[46]

  [46]_Correspondance:_To。Ch。Duvernet,November12,1842。

  Thiswassaidinallsincerity。GeorgeSandwasquiteindifferentaboutallthegreateventsofParisianlife,aboutsocialtittle—tattleandBoulevardgossip。Sheknewtheimportance,though,ofeveryepisodeofcountrylife,ofasuddenfogoroftheoverflowingoftheriver。Sheknewtheplacewell,too,asshehadvisitedeverynookandcornerinallweathersandineveryseason。

  Sheknewallthepeople;therewasnotahouseshehadnotentered,eithertovisitthesickortoclearupsomepieceofbusinessfortheinmates。Notonlydidshelikethecountryandthecountrypeoplebecauseshewasaccustomedtoeverythingthere,butshehadsomethingofthenatureofthesepeoplewithinher。Shehadacertainturnofmindthatwaspeasant—like,herslownesstotakethingsin,herdislikeofspeechwhenthinking,herthoughtstakingtheformof\"aseriesofreverieswhichgaveherasortoftranquilecstasy,whetherawakeorasleep。\"[47]Itdoesnotseemasthoughtherehaseverbeensuchan_ensemble_offavourableconditions。

  [47]Seein_Jeanne_averyfinepageonthepeasantsoul。

  Shedidnotsucceedinherfirstattempt。Inseveralofhernovels,eversince_Valentine_,shehadgivenuspeasantsamonghercharacters。

  Shehadtriedlabourers,mole—catchers,fortune—tellersandbeggars,butallthesewereepisodiccharacters。_Jeanne_isthefirstnovelinwhichtheheroineisapeasant。EverythingconnectedwithJeanneherselfinthenovelisexquisite。Wehaveallseenpeasantwomenofthiskind,womenwithseriousfacesandclearly—cutfeatures,withadreamylookintheireyesthatmakesusthinkofthemaidofLorraine。ItisoneoftheseexceptionalcreaturesthatGeorgeSandhasdepicted。Shehasmadeanecstaticbeingofher,whowelcomesallthatissupernatural,utterlyregardlessofdatesorepochs。

  Toherallwonderfulbeingsappeal,theVirginMaryandfairies,Druidesses,JoanofArcandNapoleon。ButJeanne,theVirginofEpNell,theVelledaoftheJomatresstones,themysticalsisteroftheGreatShepherdess,wasverypoorlysupported。ThisremarkdoesnotrefertohercousinClaudie,althoughthisindividual’sconductwasnotblameless。JeannehadgoneintoserviceatBoussac,andshewassurroundedbyagroupofmiddle—classpeople,amongwhomwasSirArthur————,awealthyEnglishman,whowantedtomarryher。

  Thismixtureofpeasantsand_bourgeois_isnotahappyone。

  Neitheristhemixtureof_patois_withamoreChristianwayoftalking,orratherwithawrittenstyle。Theauthorwasexperimentingandfeelingherway。

  Whenshewrote_LaMareauDiable_shehadfoundit,forinthisworkwehaveunityoftone,harmonyofthecharacterswiththeirsetting,ofsentimentwiththevariousadventures,and,aboveall,absolutesimplicity。

  In_FrancoisleChampi_thereismuchthatisgraceful,andthereisrealfeelingmingledwithatouchofsentimentality。

  MadeleineBlanchetisratheroldforChampi,whomshehadbroughtuplikeherownchild。Inthecountry,though,wheredifferenceofageissoonlessapparent,thedisproportiondoesnotseemasobjectionableasitwouldincitylife。Thenovelisnotastudyofmaternalaffectioninlove,asitisnotMadeleine’sfeelingsthatareanalyzed,butthoseofFrancois。Foralongtimehehadbeeninlovewithoutknowingit,andheisonlyawareofitwhenthislove,insteadofbeingasortofagreeabledreamandmelancholypleasure,istransformedintosuffering。

  Thesubjectof_LaPetiteFadette_isanotheranalysisofalovewhichhasbeensilentforalongtime。Itisdifficulttosaywhichisthebestofthesedelightfulstories,butperhaps,onthewhole,thislastoneisgenerallypreferred,onaccountofthecuriousandcharmingfigureoflittleFadetteherself。

  Wecanseethethin,slendergirl,suddenlyappearingontheroad,emergingfromathicket。Sheseemstobepartofthescenery,andcanscarcelybedistinguishedfromtheobjectsaroundher。

  Thelittlewildcountrygirlislikethespiritofthefields,woods,riversandprecipices。SheisabeingveryneartoNature。

  Inquisitiveandmischievous,sheisboldinherspeech,becausesheistreatedasareprobate。Shejeers,becausesheknowsthatsheisdetested,andshescratches,becauseshesuffers。Thedaycomeswhenshefeelssomeofthataffectionwhichmakestheatmospherebreathableforhumanbeings。Shefeelsherheartbeatingfasterinherbosom,thankstothisaffection,andfromthatminuteatransformationtakesplacewithinher。Landry,whohasbeenobservingher,isofopinionthatshemustbesomethingofawitch。

  Landryisverysimple—minded。Thereisnowitchcrafthereexceptthatoflove,anditwasnotdifficultforthattoworkthemetamorphosis。

  Ithasworkedmanyothersinthisworld。

  The_MaitresSoneurs_initiatesusintoforestlife,sofullofmysteriousvisions。Inoppositiontothesedentary,stay—at—homelifeoftheinhabitantofplains,withhisindolentmind,wehavethefree—and—easyhumourofthehandsomeandadventurousmuleteer,Huriel,withhisloveoftheroadandofallthatisunexpected。

  Heisa_cheminau_beforethedaysofM。Richepin。

  Idonotknowanystoriesmorefinishedthanthese。TheycertainlyprovethatGeorgeSandhadtheartisticsense,aqualitywhichhasfrequentlybeendeniedher。Thecharactersinthesestoriesarelivingandactive,andatthesametimetheirpsychologyisnotinsistedupon,andtheydonotstandoutinsuchreliefastoturnourattentionfromthings,which,asweknow,aremoreimportantthanpeopleinthecountry。Wearesurroundedonallsidesbythecountry,andbathed,asitwere,initsatmosphere。

  Andyet,inspiteofallthis,thecountryisnotoncedescribed。

  Thereisnotoneofthosedescriptionssodeartotheheartofthosewhoareconsideredmastersintheartofword—painting。Wedoriotdescribethosethingswithwhichwelive。Wearecontenttohavethemeverpresentinourmindandtobeinconstantcommunionwiththem。

  Styleis,perhaps,thesovereignqualityinthesestories。

  Wordspeculiartothedistrictareintroducedjustsufficientlytogiveanaccent。Somewhatold—fashionedexpressionsareemployed,andtheseprovethesurvivalofby—gonedays,which,inthecountry,arerespectedmorethanelsewhere。Withoutanyapparenteffort,thenarrativetakesthatepicformsonaturaltothosewho,as_aedes_ofprimitiveepochs,orstory—tellersbycountryfiresides,givetheirtestimonyaboutthingsofthepast。

  IamawarethatGeorgeSandhasbeenaccusedoftracingportraitsofherpeasantswhichwerenotlikethem。ThisissoabsurdthatI

  donotconsideritworthwhiletospendtimeindiscussingit。

  Itwouldbesoeasytoshowthatinhertypesofpeasantsthereismorevariety,andalsomorereality,thaninBalzac’smorerealisticones。Withoutbeinguntruthfulportraits,itmaybethattheyaresomewhatflattered,andthatwehavemorehonest,delicateandreligiouspeasantsinthesestoriesthaninreality。

  Thismaybeso,andGeorgeSandwarnsusofthisherself。Itwasherintentiontodepictthemthus。

  Itwasnotabsoluterealityandtheeverydaydetailsofthepeasants’

  habitsandcustomsthatshewantedtoshowus,butthepoetryofthecountry,thereflectionofthegreatsightsofNatureinthesoulofthosewho,thankstotheirdailywork,aretheconstantwitnessesofthem。ThepeasantcertainlyhasnoexactnotionofthepoetryofNature,norishealwaysconsciousofit。

  Hefeelsit,though,withinhissoulinavagueway。Atcertainmomentshehasglimpsesofit,perhaps,whenlovecauseshimemotion,orperhapswhenheisabsentfromthepartoftheworld,wherehehasalwayslived。Hishomesicknessthengiveshimakeenerperception。

  Thispoetryisperhapsneverclearlyrevealedtoanyindividual,nottothelabourerwhotracesouthisfurrowstranquillyintheearlymorning,nortotheshepherdwhospendswholeweeksaloneinthemountains,facetofacewiththestars。Itdwells,though,intheinnerconscienceoftherace。Thegenerationswhichcomeandgohaveitwithinthem,andtheydonotfalltoexpressit。

  Itisthispoetrywhichwefindincertaincustomsandbeliefs,inthevariouslegendsandsongs。WhenLeChampireturnstohisnativeplace,hefindsthewholecountrymurmuringwiththetwitterofbirdswhichheknewsowell。

  \"AndallthisremindedhimofaveryoldsongwithwhichhismotherZabelliusedtosinghimtosleep。Itwasasongwithwordssuchaspeopleusedtoemployinoldentimes。\"

  InGeorgeSand’spastoralnovelswehavesomeoftheseoldwords。

  Theycometousfromafar,andarelikeasupremeblossomingofoldtraditions。

  Itisallthiswhichcharacterizesthesebooks,andassignstothemtheirplaceinourliterature。WemustnotcomparethemwiththeruggedstudiesofBalzac,norwiththeinsipidcompositionsofthebucolicwriter,norevenwithBernadindeSaint—Pierre’smasterpiece,astherearetoomanycocoanuttreesinthat。TheypreventusseeingtheFrenchlandscapes。VeryfewpeopleknowthecountryinFranceandthehumblepeoplewhodwellthere。Veryfewwritershavelovedthecountrywellenoughtobeabletodepictitshiddencharms。

  LaFontainehasdoneitinhisfablesandPerraultinhistales。

  GeorgeSandhasherplace,inthisraceofwriters,amongtheFrenchHomers。

  IX

  THE`BONNEDAME’OFNOHANTTHETHEATRE——ALEXANDREDUMASFILS——

  LIFEATNOHANT

  Novelistsaregiventospeakingofthetheatresomewhatdisdainfully。

  Theysaythatthereistoomuchconvention,thatanauthoristoomuchtheslaveofmaterialconditions,andisobligedtoconsiderthetasteofthecrowd,whilstabookappealstotheloverofliterature,whocanreaditbyhisownfireside,andtothesocietywoman,wholosesherselfinitspages。Assoon,though,asoneoftheirnovelshashadmoresuccessthanitspredecessors,theydonothesitatetocutitupintoslices,accordingtotherequirementsofthepublishinghouse,sothatitmaygobeyondthelittlecircleofloversofliteratureandsocietywomenandreachthecrowd——

  thelargestcrowdpossible。

  GeorgeSandneverpretendedtohavethisimmensedisdainforthetheatrewhichisprofessedbyultra—refinedwriters。

  Shehadalwayslovedthetheatre,andsheboreitnogrudge,althoughherpieceshadbeenhissed。Inthosedaysplaysthatdidnotfindfavourwerehissed。Atpresenttheyarenothissed,eitherbecausetherearenomorepoorplays,orbecausethepublichasseensomanybadonesthatithasbecomephilosophical,anddoesnottakethetroubletoshowitsdispleasure。GeorgeSand’sfirstpiece,_Cosima_,wasanotedfailure。Abouttheyear1850,sheturnedtothetheatreoncemore,hopingtofindanewformofexpressionforherenergyandtalent。_FrancoisleChampi_

  wasagreatsuccess。InJanuary,1851,shewroteasfollows,aftertheperformanceof_Claudie:_\"Atearfulsuccessandafinancialone。Thehouseisfulleveryday;notaticketgivenaway,andnotevenaseatforMaurice。Thepieceisplayedadmirably;

  Bocageismagnificent。Thepublicweepsandblowsitsnose,asthoughitwereinchurch。Iamtoldthatneverinthememoryofmanhastherebeensuchafirstnight。Iwasnotpresentmyself。\"

  Theremaybeaslightexaggerationinthewords\"neverinthememoryofman,\"butthesuccesswasreallygreat。_Claudie_isstillgiven,andIrememberseeingPaulMounetinterpretthepartofRemyadmirablyattheOdeonTheatre。Astothe_MariagedeVictorine_,itfigureseveryyearontheprogrammeoftheConservatoirecompetitions。

  Itisthetypicalpieceforwould—be_ingenues。_

  _FrancoisleChampi,Claudie_andthe_MariagedeVictorine_maybeconsideredastheseriesrepresentingGeorgeSand’sdramaticwritings。

  Thesepieceswereallherown,and,inherownopinion,thatwastheirprincipalmerit。Thedramaticauthorisfrequentlyobligedtoacceptthecollaborationofpersonswhoknownothingofliterature。

  \"Yourcharacterssaythis,\"observesthemanager;itisallverywell,but,believeme,itwillbebetterforhimtosayjusttheopposite。

  Thepiecewillrunatleastsixtynightslonger。\"TherewasamanagerattheGymnaseTheatreinthosedaysnamedMontigny。

  Hewasaveryclevermanager,andknewexactlywhatthecharactersoughttosayformakingthepiecerun。GeorgeSandcomplainedofhismaniaforchangingeveryplay,andsheadded:\"EverypiecethatIdidnotchange,such,forinstance,as_Champi_,_Claudie_,_Victorine,LeDemondufoyer_and_LePressoir_,wasasuccess,whilstalltheotherswereeitherfailuresortheyhadaveryshortrun。\"[48]

  [48]_Correspondance:_ToMauriceSand,February24,1855。

  ItwasinthesepiecesthatGeorgeSandcarriedoutherownideaofwhatwasrequiredforthetheatre。Herideawasverysimple。

  Shegivesitintwoorthreewords:\"Ilikepiecesthatmakemecry。\"

  Sheadds:\"Ilikedramabetterthancomedy,and,likeawoman,Imustbeinfatuatedbyoneofthecharacters。\"Thischaracteristhecongenialone。Thepubliciswithhimalwaysandtremblesforhim,andthetremblingisallthemoreagreeable,becausethepublicknowsperfectlywellthatallwillendwellforthischaracter。

  Itcanevengoasfarasweepingthetraditionalsixtears,asMadamedeSevignedidforAndromaque。Tearsatthetheatreareallthesweeter,becausetheyareallinvain。When,inaplay,wehaveacongenialcharacterwhoistherefromthebeginningtotheend,theplayisasuccess。Letustake_CyrainodeBergerac_,forinstance,whichisoneofthegreatestsuccessesinthehistoryofthetheatre。

  FrancoisleChampiiseminentlyacongenialcharacter,forheisamanwhoalwayssetswrongthingsright。WearesuchbelieversinjusticeandintheinterferenceofProvidence。Whengood,straightforwardpeoplearepersecutedbyfate,wealwaysexpecttoseeamanappearuponthescenewhowillbethechampionofinnocence,whowillputevil—doerstorights,andfindtheproperthingtodoandsayineverycircumstance。

  FrancoisappearsatthehouseofMadeleineBlanchet,whoisawidowandverysadandill。HetakesherpartanddefendsherfromtheresultsofLaSevere’sintrigues。Heishardonthelatter,andhedisdainsanotherwoman,Mariette,butbothLaSevereandMariettelovehim,sotrueisitthatwomenhaveaweaknessforconquerors。

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