Seven Discourses on Art

第2章

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第2章

Seven Discourses on Art Sir Joshua Reynolds

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Seven Discourses on Art
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  Thisistheideawhichhasacquired,andwhichseemstohavearighttotheepithetofDivine;asitmaybesaidtopreside,likeasupremejudge,overalltheproductionsofnature;appearingtobepossessedofthewillandintentionoftheCreator,asfarastheyregardtheexternalformoflivingbeings。

  Whenamanoncepossessesthisideainitsperfection,thereisnodangerbutthathewillhesufficientlywarmedbyithimself,andbeabletowarmandravisheveryoneelse。

  Thusitisfromareiteratedexperience,andaclosecomparisonoftheobjectsinnature,thatanartistbecomespossessedoftheideaofthatcentralform,ifImaysoexpressit,fromwhicheverydeviationisdeformity。ButtheinvestigationofthisformIgrantispainful,andIknowbutofonemethodofshorteningtheroad;

  thisis,byacarefulstudyoftheworksoftheancientsculptors;

  who,beingindefatigableintheschoolofnature,haveleftmodelsofthatperfectformbehindthem,whichanartistwouldpreferassupremelybeautiful,whohadspenthiswholelifeinthatsinglecontemplation。Butifindustrycarriedthemthusfar,maynotyoualsohopeforthesamerewardfromthesamelabour?Wehavethesameschoolopenedtousthatwasopenedtothem;fornaturedeniesherinstructionstononewhodesiretobecomeherpupils。

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